On to Bologna!

On to Bologna!: " As children's publishers from the world over convene in I..."

Re-do and to do!

My website badly needs updating in time for the Bologna international  book fair and our scbwi symposium & showcase there.   Last week while in London, I was all set to get that done.

Then I got Mini Racer back from my publishers with their edits .  I like their cover rough, and font choice and the basic design but still...

I spent a week editing the edits -  in London - on the Channel ferry  - and back home in Senlis.  Finished at 3am on Monday morning.

The problem with digitally submitted images  (although this book was  part gouache...) is that it's so easy to cut and paste.  Easy as text editing. And everyone has their colour preferences.
And you can re-do and re-do...
Enough said.  I'm happier with it now.    Here's a small peek (text is roughed in).

This page was the only one I didn't re-touch:

Fingers crossed Mini Racer (written by Kristy Dempsey) will be out this year or next...I should check the date!

All I've got ready for  Bologna, is my sample for the  Illustrators Display Portfolio on show at the SCBWI stand Hall 26, A 66.
Another glimpse of  Mini Racer  plus some "cat kids" for  Bayard France -  a snippet of my line-free work...

Naughty cats kids  - they managed to slip out of the SCBWI Bologna online gallery!
http://www.scbwibologna.org/displayportfolio/illustrators-gallery.php

Back in London, back on the plot

Back to my own work at last, though not at home. Weeks of driving  (Senlis to Paris and then across the Channel)  and running in the other sense,  for the SCBWI Bologna Book Fair symposium and showcase illustrator events in March.  http://www.scbwibologna.org.

All this in-betweening takes time. Am I  dissappearing into the in-between?  Any volunteer will know what I mean.  But there's always the pull -  the excitement over kids book obsessives like me, converging from across the world to meet in Bologna especially in the old town, at night.

Now, surprisingly at a table looking over a London street, I'm back on a story line, moving only across paper -  a welcome change... 
And another brief diversion -  this phone snap I took later last year, when wandering around the wonderful Oxford Blackwell's.   Heartening to see my book in my favourite bookshop. Odd it was under Hobbies and labelled 'Art Appreciation'.
Art Appreciation -  I ask you!  Sounds so precious.
The Big Book of Shapes, like the Big Book for Little Hands, is not about art or appreciation.  It's about action - a book to draw in, with story pictures to complete for fun and as freely as any small hand can and wants to...And that's that! Glad it was on offer.  Hope someone small might enjoy it.  If anyone can reach up that high to that shelf.
Now better get back to that plot!

B is for Books and borrowing. You can read about everything.

O be amazed that art and wire
Can so artfully conspire
to reveal that part of man
Which himself he cannot scan!

It's not just about X-rays.
http://www.kb.nl/nieuws/2004/abcboeken/tweedereeks.html
This alphabetical sample of apparently benign ABC books from all cultures and times contains more than this by Joyce Dennys in 1916.

or T for torpedo.   Spanning informal sketches to highly designed prints and photography, the transitions reveal extraoridinary cultural shifts as well as some interesting art work.  
Enough to keep cultural and political studies people mulling, let alone illustrators.
I nearly missed  Zola in a 1900 English parody of  Hoffman's 1845 Struwwelpeter
"Z is Zola, see his rage,
Look at him on this very page..."

Pass the parcel

DSCF0410, originally uploaded by bridget strevens-marzo.

Postman delivered a huge carton box this morning.
Rattling around inside, were 3 tiny boxes - each a bijou collection of board books by different artists.

Very nice of the publisher to send me samples to help me weigh up ideas for a new collection.
Really it's all about scale.
Something their mailing department doesn't understand!

Not quite ready?

That's my baby!

As I've told a few friends, it was a surprise bordering on stage-fright.
In London I picked off the shelf of Foyles,  this new, unusual-looking book:
Illustrating Children's Picture Books by Steven & Lesley Breen Withrow.
Turn to the title page.
Hey - that's my baby!

A quick sketch of a cover idea for my 2007 Harper US picture book,   How do you make a baby smile? by Philemon Sturges.
I wanted a glum baby all alone on the cover.   The title called for it.  Besides, there are far too many smiles in children's books.
Sadly,  glum was not on the marketing menu then.
Now, who'd have guessed?  Baby Glum has gone public,  ballooning the title at the opening of this new book. 

I had received an email from Steven Withrow not long after my piece in the 2007 Original art show at the Society of Illustrators in NY.  He interviewed me and asked for some sketches and for my take on picture book form.  Answer on page 15.  

And here I am in print with 4 pages of  'Artist's Profile'  among some illustrious company -  Shaun Tan,  Polly Dunbar,  Bob Staake among them.  And there are good words from wonderful writers,  Leonard Marcus and Jack Gantos and editors Tessa Strickland and Susan Sherman.

As I'm so colour-obsessed,  it's odd there are no finished colour spreads for How do you make a baby smile?  - just  a big bunch of black ink sketches. Reproduction rights got held up I guess.   
But some colour is shown in this particularly messy corner of my studio, post Bologna when I was juggling with a Bayard story and a school visit. 

I've not yet had time to read the whole book yet,  but already it stands out for its for its variety of voices and viewpoints,  and an intelligently wide approach to process.    Bravo to Stephen and Leslie  Breen Withrow for putting so many goodies together and to Rotovision for the original design. 

As for me,  I better get over the stage-fright with a better-than-ever book to come!